01 July, 2009
‘My Mother’s Fault’
My friend Salil Tripathi was in Bombay this week to promote his marvellous new book, “Offence: The Hindu Case.” This is part of a series that examines the growing intolerance around us in the name of religion: Kamila Shamsie looks at the Muslim case, Brian Klug at Judaism and Irena Maryniak at Christianity. Regular readers of IU will know that this is a subject close to my heart: I’ve unleashed countless rants on how giving offence is treated as a crime in India, and of the consequences of that for free speech. Salil’s book lays out the case for free speech wonderfully well, and if the subject interests you, I recommend you buy it. (You can pre-order it here or here, and it will also be on the stands soon.)
But this post isn’t just a plug: one of my favourite parts of the book is a poem Salil wrote for his mother, Harsha Tripathi, dedicating the book to her. I was quite moved by it, and with Salil’s permission, I’m reproducing it here:
My Mother’s Fault
by Salil Tripathi
You marched with other seven-year-old girls,
Singing songs of freedom at dawn in rural Gujarat,
Believing that would shame the British and they would leave India.
Five years later, they did.
When you first saw Maqbool Fida Husain’s nude sketches of Hindu goddesses,
When I told you that some people wanted to burn his art.
‘Have those people seen any of our ancient sculptures? Those are far naughtier,’
Your voice broke,
On December 6, 1992,
As you called me at my office in Singapore,
When they destroyed the Babri Masjid.
‘We have just killed Gandhi again,’ you said.
Aavu te karaay koi divas (Can anyone do such a thing any time?)
You asked, aghast,
Staring at the television,
As Hindu mobs went, house-to-house,
Looking for Muslims to kill,
After a train compartment in Godhra burned,
Killing 58 Hindus in February 2002.
You were right, each time.
After reading what I’ve been writing over the years,
Some folks have complained that I just don’t get it.
I live abroad: what do I know of India?
But I knew you; that was enough.
And that’s why I turned out this way.